Gaspar Sanz (1640 –1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.
The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. The smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.
Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.
Sanz’ music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces.
- Alemanda La Preciosa
- La Coquina Francesa (The Girl From France)
- La Esfachata De Napoles (The Girl From Naples)
- La M√≠nona De Cataluna (The Girl From Cataluna)
- La Minina De Portugal (The Girl From Portugal)
- Las Hachas
- Passacalle In D Minor (Originally In A Minor)
- Zarabanda Francesa (1)
- Zarabanda Francesa (2)
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