Photo by Darren Bell
David is an actor and singer best known for his leading roles in London's West End, as well as appearances at The National Theatre, on screen and in every major Arena in the UK.
Thomas is a London-based actor who began his career at the age of 11, working on such shows as Casulty and Eastenders up until his late teens. From a young age, Thomas has also loved the creative side of writing and performing music, something he was most recently able to express in Warner Brothers' recent remake of A Cinderella Story - If the Shoe Fits where Thomas played a young, talented popular singer-songwriter chasing the dream.
Check out Thomas' Spotify channel where he released acoustic cover versions of some of his favourite songs:
Scott Folan is a 19 year old singer/songwriter and actor from North London. Following his recent role as Matt in the Chichester Festival Theatre’s production of This Is My Family, Scott is building on the success of his most recent single Kill For Your Love and releasing more music over the next few months. He describes his musical style as pop-folk, as he combines his love of modern music with his passion for storytelling, so make sure to listen closely to the intimate moments of his life that he shares through his songs.
Some stars are made...some are born.
Marisha Wallace was born and raised in a small town in North Carolina. But the small town never held down her big city dreams. At the age of five she took the stage performing her first solo at an Easter service where she forgot the words. Despite her mishap, she knew she had to perform for the rest of her life. Marisha went on to obtain a BFA Musical Theatre and Theatre Education at East Carolina University. It was there that she found a love for acting and dancing. From there she went on to perform in shows around the country and the world.
She got her big break starring in the break out role of Ado Annie in Oklahoma, where she recieved a Drammy Award for Best Actress in a Musical. She then went on to be cast in the First National Tour of the Tony Award Winning Musical The Book of Mormon. After a year on the road, she left the tour with a new opportunity in hand. She went back to NYC to fulfill her dream of being on Broadway. She left Mormon and was cast in the original broadway company of the five-time Tony nominated musical Disney's Aladdin where she originated the role of the Fortune Teller. After Aladdin she went on to work on the very new musical "Something Rotten" that went on to be nominated for 10 Tony Awards. She originated the role of "Eggie White" singing the iconinc line "And I am Telling You I'm Not Going to be an Omlette." She also can be heard on the short film Disney's Frozen Fever and recently has taken on the lead role of Effie White in Dreamgirls at Dallas Theater Center.
Marisha has worked with some of the best of the best on Broadway and Beyond. From Christian Borle to Brian Darcy James to Casey Nicholaw...Marisha is always in good company. Now she is spreading the love on the West End.
Tom has performed in prestigious venues across the country, such as at the Royal Welsh College of Music as accompanist on BBC Young Musician, Birmingham Symphony Hall, the Wigmore Hall, and the Royal Albert Hall; as a soloist and in ensembles.
As a young Musical Director working his way into the West End, Tom has conducted and played in numerous shows, each posing new musical genres and styles. He now uses these developed skills in the industry as much as he can, playing for UK tour auditions, as well as working as musical director for Spirit Productions with whom he performed in Monte Carlo in April 2018 at the Rolex Masters. He also plays keys with the London Musical Theatre Orchestra in some of their productions, including Menken’s ‘A Christmas Carol’ at the Lyceum and Ben Forster’s stand alone show at Theatre Royal Haymarket.
When in training, he played in leading ensembles such as the National Youth Wind Orchestra (principal percussionist) and the Old Royal Naval College Chapel Choir. Following from this, under his tuition from Deniz Gelenbe he spent a lot of his time developing new repertoire, both classically and in jazz. As other external work, Tom also does orchestral arrangements for the London International Sinfonia, some of which have been performed in venues such as St John Smith Square; likewise, as of recently he is part of the orchestration team for LMTO.
Classically trained: Everything about Mollie Collins’ approach, attitude, technique and rise smacks of the original spirit drum & bass was founded on.
She has been rooted in club culture from day one. No stat-obsessed, "check my Soundcloud, bruh" online hyperbole, Mollie’s passion for drum & bass is 100% IRL and grounded in the church that brought our original founding junglist fathers together. It’s been this way since Mollie was 15, devoutly attended BPM under-18 events and squat raves until she was old enough to completely immerse herself in the culture. At 18 she exchanged her standard 9-5 to work every aspect she could in nightclubs: from street team trooper to party promoter, VJ to DJ... Mollie has studied and contributed to the unique culture inside out.
"I love clubs. I love exploring new ones; feeling the different vibes, playing on different soundsystems."
Like all classically trained DJs, regardless of her demanding international DJ schedule, she still holds down a weekly residency at the Tap N Tin, Chatham where she plays every Monday road-testing mixes and dubplates and fine-tuning her signature style. As well as her Tuesday night residency on Kiss FM for the Kiss D&B show... Switching, chopping, cutting and blending between her key cornerstones; Mollie’s sets guarantee firm favourites presented in fresh contexts. From beautiful liquid vocals over brutal jump-up basslines, Mollie shatters subgenre illusions with selections that represent the widest scene ideals.
"I can’t just have two tunes running along together and leave them in the mix. I have to be doing something, I want to play around and keep things interesting and keep that energy going. I’m still learning all the time, looking at effects and what I can do creatively... There are so many ways to be a creative DJ. I’ll never stop developing my style."
Foundation and technique locked-in, Mollie is also developing a reputation as a DJ’s producer. Being an encyclopaedic fan and ambitious DJ has led to an innate understanding of drum & bass’s intrinsic relationship with the dancefloor... Something that will become increasingly evident as more of her music surfaces throughout the future and beyond. Now also recently launching her own label 'Right Good Records' in 2019 her own productions will also be key a part of Mollie’s DJ sets.
"Expect the unexpected from me as a producer! It might be melodic, jump-up, darker or techier... The only the important thing is that it works on the dancefloor. I’m a DJ first and foremost."
Classically-trained but 100% future-focused, this is the very start of Mollie’s mission...
