Finding time to practice is a challenge for many musicians, whether they are just starting out on their musical journey or even if they are experienced pro-musicians and for our busy Music Ambassador Nina Fine that is certainly the case. Nina is studying for a Masters in Psychotherapy as well as working for a charity and playing and performing her music.
We asked Nina how do you find time to practice?
Wow, this question is making me think. Mostly it is putting it in my diary when I know I have gigs coming up. Gigs help me structure my time and give me a project to work towards. I’m often balancing a few projects, and the freelance nature of this can be tricky, but I’m grateful for the breadth of areas I get to work in, learn in and feel inspired by.
Do you have regular, set times?
That would be lovely! At this point, I am usually slotting in rehearsal times when I can. It’s easier when it is a solo practice because I can change times whenever, but finding a time for multiple people to rehearse can sometimes be tricky. Fortunately, I have been lucky with the flexibility and enthusiasm of musicians I have played with recently.
What works for you? Little and often or a crazy long practice session the day before a gig?
It depends what is going on in life that week and if it is solo or group practice. I like giving myself a chunk of time, ideally a few days before the gig, to fluidly practice what I need to and to invite any different ideas or changes to come through. There is something special about having space to just sit at my Yamaha Keyboard and play - maybe even discover something new in the instrument that could enhance a live performance. I try not to practice on the day of the gig if it is possible, and instead focus on warming up my voice.
How did you discover what works best for you?
It’s constantly changing for me. It used to concern and frustrate me that I was evolving my music processes often, but then I realised that if I am listening to when I need to make changes, this doesn’t need to be an issue. Clear structure is what works for me best. When I have clear days for certain projects, there is less need to compartmentalise and that is helpful for me.
If you are rehearsing with others – how do you keep rehearsal time on track? How do you and the band keep motivated?
I set the space to be as welcoming, comfortable, and intentional as possible. This might be considering where instruments are placed, how we may be sitting in the room, making sure food and snacks are available (very important!) and being clear about why we are all there. If the intention is clear and the atmosphere is open and friendly, I find it easier to keep on time and focus on what parts need the most work or attention. It’s not always easy, but that is my approach so far. I’m always learning! Appreciation for people goes a long way too. Whenever I’m rehearsing, I feel appreciative to the people in the room who have made time for the project and have prepared their parts or ideas before to ensure we make the most of the time. I feel a lot of gratitude to the creatives and people I get to work with and create with. Having a curious, open-minded attitude and clear communication are some of the things I try to practice when creating and collaborating in rehearsals. I remember a friend / producer sharing some wisdom with me years ago when I asked for some advice about working with producers and collaborating. They said that it is important to consider ‘how can this be better?’ It’s stayed with me, and I feel it often invites everyone in the room to share their ideas.
Nina's Top Ten Practice Tips
